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"Les Enclos": churchyards of special architectural interest

In Brittany, our religious monuments are unlike any others in the world. They remind us of the religious fervour in times gone by.
Saint-Thégonnec, Plounéour-Ménez, Saint-Jean-du-doigt.. follow a trail through these towns that will lead from the sea to the mountains...

Each parish church consisted of the church itself, and usually a stone cross monument, an ossuary (bone house), a graveyard and a triumphal entrance. The outer wall then marked the boundary and protected the holy ground.

Take a peek at these strange churchyards

Using the Parish Church of Saint-Thégonnec as an example, find out why these churches and churchyards have become so fascinating to artists, historians and sociologists alike...

A new way of seeing religious art
The happy abandon of Gothic Art, the inventiveness of the Renaissance, the pomposity of the Baroque - it’s all here!

On the southern side, the architectural grandness reminds modern admirers of a successful and prosperous region: this is a churchyard of special architectural interest, known in French as an enclos paroissial. Brittany is not the only place in the world where you can find an enclos but it is the place where their richness and inventiveness evoke the greatest admiration. Separated from the parish itself by a wall, the enclos is a sacred area surrounding the church, a stone cross monument, an ossuary (bone house), a graveyard and a triumphal entrance.

Cross or Calvaire - what’s the difference?

A cross, whether made of wood or of stone, only ever has an image of Christ upon it. However, a Calvaire can depict the Virgin Mary or St John both witnesses to the cruicifixion.
As time went on, increasingly elaborate monumental Calvaires included other sacred characters from the Passion. The Calvaire of Saint-Thégonnec was multi-coloured.
The bone houses, known as ossuaires, and the chapels serve as reminders of how death is ever-present; they are not hidden away but were used to instruct and remind the churchgoers. The ossuary was the resting place for the recently-deceased and the chapel was a reminder that our time, too, will come to pass. Step down into the Crypt to admire the moving entombment "Mise au tombeau".
The Renaissance Triumphal Arch seems to imitate the entrances to chateaux and manor houses, often decorated with beautiful carvings that emphasised the wealth of the local landowners. At the entrance, raised stones prevented any animals from entering the holy ground.
The insider of the church and its belltowers also developed through wealth: from the 16th to 18th centuries, the best craftspeople left their legacies in the form of carvings, constructions and artwork. A powerful organ casing, perfect Baroque altars, and also a gallery of Saints are waiting to be admired.

How these Enclos came about

The lively imagination of local craftspeople and the rivalry between neighbouring parishes at the time came together to inspire these astounding works of sacred architecture: multi-coloured sculptures, dazzling stained-glass windows, stone cross monuments and even books carved from stone – all of which helped to inspire faith by evoking paradise and the Passion.
Elsewhere in Brittany, locals were growing and working with hemp; here it was linen. Morlaix Linen was famous throughout Europe and was highly profitable - the merchants and traders who reaped the benefits helped to finance these incredible and enduring religious monuments right through to the end of the 17th century.

Linen and the cloth trade

This wash-house (or "Kandi") is a key link in the chain when it comes to Morlaix’s linen heritage, showing the old methods of ’manufacture’ that built and sustained these towns. They may be a modest means of earning a living, they are an essential part of our local history.

Out of the thousand or so wash-houses between Landerneau and Morlaix, the one known as Kanndi du Fers is the only one to have preserved its walls and most of its interior. It was almost in ruins but the group Saint-Thégonnec Living Heritage restored it in 1996.
Over a period of two centuries, linen was whitened here in water warmed over oak chippings. The linen would have been washed in the stone trough that surrounds the building, then the bleaching process continued by laying the skeins to dry in the sun. This process was repeated several times, requiring an incredible three months of whitening until it could be made into fabric.

Listen to the Audioguide of the Enclos Paroissiaux... on your mobile phone or Ipad !

The circuit of the Enclos paroissiaux is available as an mp3. Take a listen...